“Jesus.” That word basically fell out of my mouth when Paul Thomas Anderson cut from black to reveal the first shot of his brilliant film, The Master. Since this is PTA you might have expected some intricate 3 minute tracking shot, but it was just the ocean, and it was beautiful. I have never seen that shade of blue in a film before. It was immediately clear shooting 65mm was a brilliant decision. More importantly, that shot, followed by the dizzying first 15 minutes of The Master revealed Paul Thomas Anderson was working on a different level than most American filmmakers.
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